Member Showcase


Murry Bubar
Charlie Clayton
Frank Dunhuber
Don Macdonald
Lawrie Mallett
Gilbert Parsons
Phillip Posey
Don Schoeps
Brent Wood
Phillip Posey

Phillip Posey's Allen

Phillip Posey's 3 manual Allen 4600.

Specification 1 Specification 2

Phillip Posey's Allen

A closer view

Phillip Posey's Allen

Straight-ahead view

Charlie Clayton
Charlie has spent many hours repairing our official instrument, a Rodgers.
Brent Wood
Brent’s Artisan III/41 has 15 classic ranks & 26 theatre ranks. It has 5 Mackie speakers with 450 watts per speaker, and a sub-woofer.
Another view. It was refinished and re-speced with the help of Larry Jones and Randy Anderson.
Don Macdonald
Don’s Rodgers 321-A Trio is the “little brother” of the 340.
It’s the equivalent of an 8-rank Wurlitzer, plus tonal and non-tonal percussions, including a real metal bar Glockenspiel.
Don Schoeps
   The organ generates all its sounds digitally in real time. As with a CD player, only the final stages of amplification are analog. In all, seven independent “PC” processors work together to make the magic happen. All the processors, amplifiers, and speakers are contained in the console.
    As for playing, Don says that layering, keyboard splits, and a robust “preset” capability lets you easily play three-manual arrangements with plenty of snappy percussion and reed punctuation — but he still longs for second touch, a real horseshoe, and a stop rail a mortal can understand! ... But at the end of the day, it's the Theatre SOUND that lifts the soul — and there's plenty of that!
   Don, a retired electronics engineer, says he built this WERSI Gamma DX 500 from a kit from Germany in the ’80s, and has been fiddling with it, on and off, ever since to refine its Theatre voices. Don and his wife Nancy have been Theatre Organ fans since he was involved in the effort to restore the Forum Theatre Organ in Binghamton, NY in the '70s. They have been MTOS members since moving to Charlotte.
Gilbert Parsons
   Gil has a Walker III/56 from 2006. Among the custom stops is an 8' unenclosed Kinura, á la George Wright. Both Bob Walker and Doug Powers have contributed to the voicing and overall sound of this instrument. Gil designed the room with walls that are not square and a very high ceiling to accommodate the 32 speakers and bass cabinet..
Frank Dunhuber
   Frank has a beautiful Allen MDS-317 EX in his home.
Lawrie Mallett
   Lawrie has used his electrical engineering talents to combine an Allen and a Gulbransen into his own custom instrument. The top two manuals are for the Allen and the bottom one is for the Gulbransen. The sound from both organs is mixed throughout the room via several speakers which include Leslies. Notice the custom name plate he made.
Murry Bubar
    Murry's Wersi Scala is above. The unit on the left side is a rolling cabinet, connected to the Scala via MIDI, and houses a 128 stop Artisan Theater-Classical Organ-in-a-cabinet. On top of it sits a Roland Fantom XR Module with a plug-in Theatre Organ card. To the right of the console sits a cabinet with a mixer, two amps, and a reverberation unit on top. There is a Mackie 1202-VL Pro Mixer on top and below that a Lexicon MX-400 Reverb unit. This has dual stereo channels to accommodate the two stereo outputs from the Artisan. Then at the bottom sits two ART SLA2 power amps.
    This is a close-up of the layout of the Artisan Cabinet and the Roland XR. For a look at Murry's previous organ, an Allen George Wright, see videos on Youtube.com.


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